
Sunday A Series


Currie x 3
Sunday, October 5, 2008 at 3pm
Presented by Plaza Lexus
David Robertson, conductor
Colin Currie, percussion
MOZART The Abduction from the Seraglio Overture
CHRISTOPHER ROUSE Der gerettete Alberich
BEETHOVEN Symphony No. 7
Colin Currie nimbly crossed back and forth across the stage playing a battery of percussion in spring 2006, and audiences felt the sonic power reverberating long after. This season Currie plays a different percussion concerto for each concert. Mozart and Beethoven, classical purveyors of modern rhythms, complete the adventure.

Sunday, October 26, 2008 at 3pm
Ingo Metzmacher, conductor
Peter Serkin, piano
MUSSORGSKY/SHOSTAKOVICH Dawn on the
Moskva River from Khovanshchina
MESSIAEN Les offrandes oubliées
STRAVINSKY Capriccio
MESSIAEN Oiseaux exotiques
MUSSORGSKY/RAVEL Pictures at an Exhibition
Mussorgsky was inspired by an exhibition of paintings; Ravel was inspired by Mussorgsky. Create your own pictures from the sound images Mussorgsky draws, and to which Ravel adds color. Plus Messiaen’s bright exotic birds and Stravinsky showing off: syncopated, jazzy, fascinatin’.

Sunday, December 7, 2008 at 3pm
Presented by Thompson Coburn LLP
Michael Christie, conductor
Louis Lortie, piano
BARBER Essay No. 1
CHOPIN Piano Concerto No. 1
TCHAIKOVSKY Suite No. 3
Barber’s Essay lights a bright American candle. Chopin’s piano concertos are
all of fire, a dramatic combustion between orchestra and soloist, a battle as riveting
as a volatile marriage. Tchaikovsky’s suites are just as incandescent. Being
Russian, he knows the darkest nights require heat and light. He brings them.

Sunday, February 8, 2009 at 3pm
Presented by Thompson Coburn LLP
Xian Zhang, conductor
Daniel Lee, cello
CHEN YI Si Ji (Four Seasons)
ELGAR Cello Concerto
TCHAIKOVSKY Symphony No. 5
Music of the seasons, from an Asian perspective. Then Elgar’s concerto, written near the close of World War I, makes music from the ashes of a world destroyed, hauntingly played by SLSO Principal Cello Daniel Lee. Out of Tchaikovsky’s struggles of the heart, he makes an eloquent appeal to Fate.

Sunday, March 22, 2009 at 3pm
David Robertson, conductor
Richard Goode, piano
BRETT DEAN Carlo
BEETHOVEN Piano Concerto No. 5, “Emperor”
R. STRAUSS Ein Heldenleben
Three musical portraits. Two composers draw portraits of heroic (and antiheroic)
musical figures. Beethoven creates a portrait of power. The soloist for
these concerts, Richard Goode, is known for music-making of tremendous
emotional power. With Beethoven’s ultimate piano concerto, a well-known
classic receives the most unique expression. Expect unexpected passions.

Sunday, April 26, 2009 at 3pm
Presented by Thompson Coburn LLP
Vasily Petrenko, conductor
Nadja Salerno-Sonnenberg, violin
ELGAR Cockaigne Overture
BRUCH Violin Concerto No. 1
SHOSTAKOVICH Symphony No. 5
With the Bruch concerto, Nadja Salerno-Sonnenberg is given a melody that never stops from beginning to end. Watch where it takes her. She nearly took the roof off Powell Hall when she played Tchaikovsky two seasons ago. Just as well, Shostakovich is sure to give you a view of the sky.