Youth Orchestra Violinist Shines on New Year’s Eve

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Hava Polinsky moments before her performance.

Hava Polinsky, 17, shed tears of joy when she left the stage at Powell Hall on New Year’s Eve.

“It was just so emotional,” she said while wiping tears from her eyes.

The St. Louis Symphony Youth Orchestra violinist was the surprise guest artist for the New Year’s Eve concert.

Polinsky joined the St. Louis Symphony Orchestra to perform Pablo de Sarasate’s “Zigeunerweisen” (Gypsy Airs).

She was poised, precise, and professional on stage.

Polinsky has been honing her skills with the Youth Orchestra for the last for six years.

However, the teenager was visibly nervous in the moments leading up to her performance.

She paced back and forth as Music Director David Robertson began her introduction.

That is when the STL Symphony’s Jack Snider took charge.

The veteran stage manager gently put his hands on Polinsky’s shoulders, looked in her eyes, and said “you look beautiful.”

Seconds later, Polinsky was dazzling a packed house at Powell Hall.

“That Polinsky was good,” one audience member said.

It was the perfect way for the STL Symphony to ring in the new year.

Hava Polinsky wipes away tears of joy after her performance.

St. Louis Symphony Quartet Shares Music in Prison

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On December 7, 2016, St. Louis Symphony musicians performed for about one hundred offenders at Missouri Eastern Correctional Center.

The concert was part of the St. Louis SymphonyCares program.

STL Symphony violinist Ann Fink said the concert was about spreading hope.

“Maybe we have made their afternoon a little brighter,” Fink said. “If it goes beyond that then that’s even better.”

Fink teamed with Wendy Plank Rosen, Leonid Gotman, and Alvin McCall for a concert that included the music of Mozart, Gershwin, and Tchaikovsky. The STL Symphony musicians performed for more than an hour.

The performance brought back memories for the concert’s special guest, Ron Boyer. He was serving time at MECC when STL Symphony musicians performed at the prison 15 years ago.

“They didn’t have to come in here,” Boyer said. “But they did, and I’ll never forget that.”

Boyer was released from prison in 2004.

“It was a little difficult coming back, but the music makes you feel so happy,” Boyer said.

Boyer returned to the prison to introduce the musicians and share words of encouragement with the offenders.

The concert also marked a return for Gotman. The veteran STL Symphony violist was part of the performance that Boyer saw at MECC 15 years ago. Over the past year, Boyer and Gotman have reconnected through concerts at Powell Hall.

“It made a difference in his life, when he heard our concert as an inmate,” Gotman said.  “For me it’s the best reward.”

It is also proof that the gift of music can enrich people’s lives anywhere.

Welcoming Sounds

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Music from Syria, Somalia, and beyond filled the SLACO Community Center in North St. Louis during a recent concert.

The Strings of Arda ensemble traveled to the community center to take more than 30 immigrants and refugees on a musical journey. The ensemble consists of six musicians from the St. Louis Symphony. Most of the people who attended the concert were from Syria and Somalia.

Many of the families spent years living in refugee camps before coming to the United States. The resiliency of the families nearly brought the leader of the ensemble, Christian Woehr, to tears.

“If I think about it I am almost overwhelmed,” Woehr said. “It’s quite moving to me.”

The concert was part of the STL Symphony’s comprehensive Music Without Boundaries program.

The goal of the concert was to help families feel welcome in St. Louis and connect on a personal level with the region through music from around the world.

“It’s always got a great groove, and it’s such a core part of what really makes a people a people,” Woehr said.

Anita Barker with International Institute of St. Louis helped organize the concert.

“For them to have an opportunity to hear a concert with world class musicians playing music that is from around the world, and including their own country, was extremely moving for the families,” Barker said.

The music is a gift that serves as a comforting connection to the families’ history, and a warm welcome to their future.

“It made them feel much less isolated than they normally do,” Barker said.

Additional STL Symphony Music Without Boundaries concerts are planned at SLPS Nahed Chapman New American Academy on March 13, Macklind International Senior Center on March 15, and at the International Institute of St. Louis later in the spring.

Music Without Boundaries also funds transportation and ticket costs for immigrants and refugees to attend concerts at Powell Hall.

 

Carolyn, Felicia & the Bassoon Case Cover

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Felicia Foland, Carolyn White, and a brand new case cover.

There is a new member of the St. Louis Symphony. It is an addition that almost brought bassoonist Felecia Foland to tears. “I am just so happy,” she said. “I could cry.” Felicia has a brand new custom-made bassoon case cover.

The red, black and gold cover is easy on the eye, but the process of getting the cover was hard. “I invested in a new case for my bassoon, but I could not find a cover that fit,” she said. That’s when Bassist Carolyn White jumped into action.

Carolyn spent weeks making the bassoon case cover for Felicia. Carolyn is known for her precise play with the orchestra, but her talents extend beyond the stage. She has been working on creative projects, like the bassoon case cover, since she was six. “I really enjoy it,” she said. “It is my purpose in life.”

Carolyn once made red sequins shoes for the entire orchestra to wear during a performance of the Wizard of Oz.

The cover is waterproof and will help protect Felicia’s bassoon from cold winters and hot summers. It is also equipped with zippers that Carolyn ordered from New York, and It has a special pocket for bassoon reeds and sheet music. Felicia showed off the cover backstage during a recent STL Symphony rehearsal. ‘It’s just so beautiful,” she said.

Some people might call the case a simple accessory, but for Carolyn and Felicia it is a symbol of the bond shared between STL Symphony musicians.