SymphonyCares & Clowns on Call Bring Music & Comedy to Children in St. Louis Hospitals

Share Button


The St. Louis Symphony, Circus Flora, and Build-A-Bear Workshop are partnering for series of performances for children at area hospitals.

Violinist Angie Smart and Claire “the Clown” Wedemeyer from Clowns on Call provide the entertainment. The performances are a mixture of music and comedy.

Smart plays crowd favorites and Wedemeyer keeps the children laughing. It is a routine Smart and Wedemeyer have perfected. The pair have been performing at area hospitals since 2012.

In addition to the entertainment, each child receives a stuffed-animal from Build-A-Bear Workshop.

Kira Stout, 9, attended one of the performances at Mercy Children’s Hospital in 2016. Her father, David Stout, said the performance served as an entertaining escape.

“When she heard they were here (at Mercy Children’s Hospital) she got very excited and wanted to come down and see it,” Stout said. “She just loved it.”

The hospital performances are part of the SymphonyCares program.

The goal of the program is to enrich people’s lives through the power of music.

 

Remaining Performance Schedule:

  • St. Louis Children’s Hospital

January 24, 2017

1pm

  • Mercy Children’s Hospital

March 29, 2017

10am

  • Cardinal Glennon Children’s Hospital

May 4, 2017

11am

 

 

 

A Feast of Song

Share Button

Now that the Top Hot 5 has been charted, it’s good to be reminded that every concert with the St. Louis Symphony is a hot pick, for you and for the musicians. The music that matters most to us does so for many reasons, and our feelings for music changes, sometimes inexplicably. I was indifferent to Bartok when I started working for the Symphony, then David Robertson came and led the orchestra in The Wooden Prince and Cantata profana and the Second Violin Concerto with Leonidas Kavakos and what a fool I’d been. I’m looking ahead to the Concerto for Orchestra (April 21-23) with muffled impatience. We change and we respond to the world differently as we change, sensibility shifts.

Angie Smart
Angie Smart

And there is memory, which is a place where music resides. It haunts us, even shocks us at its power when suddenly a tune passes through and we find ourselves in another place, another time feeling emotions we thought were forgotten. Music can be a trigger that propels us. It can take us where we need to go.

I thought of this after re-reading first violinist Angie Smart’s remembrance of singing Belshazzar’s Feast (February 24-25) as a schoolgirl. The powerful weight of homesickness lifted by song. Here’s her story:

“When I turned 13, I auditioned for a place at a prestigious music school in Manchester, England and won a scholarship to attend that fall. It was a boarding school and so I lived there for five years before leaving to study in the U.S. Since I am from a very large family—I have seven siblings—my parents could not afford to bring me home very often, and in that first year I was frequently very homesick. If you have not experienced this then consider yourself lucky, but it is a dull sickness in your stomach that takes days to subside.

“In my first year at music school we put on a performance of Belshazzar’s Feast. Every pupil in the school was involved in this production. I was neither old enough nor good enough to play in the orchestra, but I sang in the choir! When it came time to perform, I sang my heart out. It was quite simply the most powerful musical and emotional experience of my life, to be in the heart of such a phenomenal piece of music. I said goodbye to homesickness and never looked back. This piece propelled me into a ferociously committed passion for music, and choral music with orchestra remains my favourite musical experience today.”

 

A Few Days and Nights in the Life

Share Button

The St. Louis Symphony gets around.

Shannon Wood @ Kranzberg Center for the Arts
Shannon Wood @ Kranzberg Center for the Arts

Monday night Principal Timpani Shannon Wood gave a solo preview of Kraft’s Timpani Concerto No. 2, “The Grand Encounter,” at the Kranzberg Center for the Arts as part of Symphony In The City.

Stravinsky's Mass @ Peace Lutheran Church
Stravinsky’s Mass @ Peace Lutheran Church

Last Sunday night members of the St. Louis Symphony Chorus, a wind ensemble from the St. Louis Symphony and Amy Kaiser performed Stravinsky’s Mass at Peace Lutheran Church as part of Symphony Where You Worship.

Claire "The Clown" Wedemeyer and Angie Smart @ the Goldfarb School of Nursing
Claire “The Clown” Wedemeyer and Angie Smart @ the Goldfarb School of Nursing

Last Thursday Claire “The Clown” Wedemeyer of Clowns on Call and Symphony First Violinist Angie Smart demonstrated how music mixed with comedy helps children heal at the Goldfarb School of Nursing, with students from Cote Brilliante Elementary looking on as part of a combined Symphony In Your College and SymphonyCares program.

Michael Gandlmayr and his first violin teacher, Darlene Lanser @ Kellison Elementary
Michael Gandlmayr and his first violin teacher, Darlene Lanser @ Kellison Elementary

Michael Gandlmayr of the Symphony Education Team visited Kellison Elementary today (Wednesday morning) to view classes preparing for the Link Up concerts on May 11. Michael is an alum of the Rockwood School District and ran into his first violin teacher, Darlene Lanser.

A Little Shtick

Share Button

Claire “The Clown” Wedemeyer and Symphony violinist Angie Smart are in the business of smiles and laughter. Through Clowns on Call and SymphonyCares they visited Mercy Children’s Hospital this week and lifted spirits from room to room. A little shtick goes a long way to making children and their families feel a little bit better.

IMG_0890

On and On, and On, and On

Share Button

Friday night the Black History Month Concert: Lift Every Voice featured R&B/Gospel legend Patti Austin. She shared many stories with the audience and sang up a storm–but don’t blame her for the snow.

Patti Austin and St. Louis Symphony IN UNISON Chorus grab a photo op on the grand staircase.
Patti Austin and St. Louis Symphony IN UNISON Chorus grab a photo op on the grand staircase.

At intermission of the BHM concert, following a performance of Adam Maness’ Divides That Bind, the composer and Brian Owens, who read text by Martin Luther King, Jr., during the piece, meet with IN UNISON Chorus members backstage.

Brian Owens and Adam Maness with IN UNISON Chorus
Brian Owens and Adam Maness with IN UNISON Chorus

Saturday night I experienced one of the most surreal moments I’ve ever had at Powell Hall: a sold-out audience on its feet singing Journey’s “Don’t Stop Believin'” with a tribute band and the St. Louis Symphony. Nobody even asked them to, word for word from beginning to end: “Just a small-town girl/ Livin’ in a lonely world….”

Sunday the Heart Quartet, which is performing throughout February advocating for Women’s Heart Health, played at IN UNISON Church partner St. Philip’s Evangelical Lutheran.

Heart Quartet, aka "The Hearties": Anne Fagerburg, Shannon Farrell Williams, Dr. Dawn Hui, and Helen Kim
Heart Quartet, aka “The Hearties”: Anne Fagerburg, Shannon Farrell Williams, Dr. Dawn Hui, and Helen Kim

Also on Sunday, Symphony musicians played Dvorak’s Serenade for Winds, Cello, and Double Bass at Peace Lutheran Church.

Dvorak's Serenade at Peace Lutheran
Dvorak’s Serenade at Peace Lutheran

Monday morning, Angie Smart and Claire “The Clown” Wedemeyer entertained girls and boys at Mercy Children’s Hospital. All the kids they entertained were in isolation, so Angie and Claire made in-room performances.

Symphony first violinist Angie Smart and Claire "The Clown" Wedemeyer making their rounds at Mercy Children's Hospital.
Symphony first violinist Angie Smart and Claire “The Clown” Wedemeyer making their rounds at Mercy Children’s Hospital.

And on and on, and on, and on…throughout the St. Louis region…anywhere.

What It Takes

Share Button

What happens on stage, whether that stage be at Powell Hall or a child’s hospital room, takes a lot of hands and hearts and minds to prepare. And I’m not even talking about the orchestral concerts.

For example Mrs. Silva gave up a few hours to make a fork for Max of Where the Wild Things Are to use in the Tiny Tunes concerts for pre-K kids from Grace Hill Head Start.

The aftermath of fork-making looks like Louise Nevelson's studio.
The aftermath of fork-making looks like Louise Nevelson’s studio.
Finished fork
Finished fork

It took three St. Louis Symphony Volunteer Association members to create leaves for the children to wave during the concerts.

200 leaves on popsicle sticks
200 leaves on popsicle sticks

Meanwhile, the students at room13delmar, just across the street from Powell Hall, with Ilene Nodhouse, made this swell boat for Max, and a cool set too.

Max's boat
Max’s boat

But that’s just one show. Meanwhile, on Monday Community Programs Director Maureen Byrne was with Claire “The Clown” Wedemeyer and Symphony violinist Angie Smart working on some new bits to perform at children’s hospitals as part of SymphonyCares.

Claire and Angie tango
Claire and Angie tango

For one of the skits, it looks like Claire is doing a Joan Jett impersonation.

Claire channels Joan Jett
Claire channels Joan Jett

Those are just a few of the things we do around here when we’re not playing Bach.

Making the Rounds

Share Button

The Symphony musicians continue to make the rounds of places where people get together, whether sick or well, old or young. It’s kind of like the Symphony’s marriage with the community: in sickness and in health, for richer or for poorer.

 

Angie Smart and Claire "the Clown" Wedemeyer bring Build-a-Bear to Mercy Hospital through the combined SymphonyCares and Clowns on Call programs.
Angie Smart and Claire “the Clown” Wedemeyer bring Build-a-Bear to Mercy Hospital through the combined SymphonyCares and Clowns on Call programs.
Xiaoxiao Qiang and Katy Mattis perform at Canterbury Park
Xiaoxiao Qiang and Katy Mattis perform at Canterbury Park.

4 X 4

Share Button

Four Seasons. Four St. Louis Symphony violinists. As Jooyeon Kong, who plays Autumn, says, “What’s not to love?”

Happy Anniversaries

Share Button

A reminder that if you want to see and hear more stuff about David Robertson’s 10th season, 50 Symphony musicians playing solos throughout 1415, and all things wonderful relating to the St. Louis Symphony’s 135th, visit this link to 10-50-135 for videos, as well as my podcasts about each program. These podcasts are especially erudite, intelligent, informative and are a fun way to hear the English language mangled. I’m also usually running behind. We’ll get 4 Seasons up asap.

 

Angie Smart warmed up for this week's performance of Vivaldi's "Summer," from "The Four Seasons," during recent Education Concerts.
Angie Smart warmed up for this week’s performance of Vivaldi’s “Summer,” from “The Four Seasons,” during recent Education Concerts.

Forces of Nature

Share Button

With St. Louis experiencing the forces of early winter this week, the Symphony welcomed a few thousand schoolchildren to learn how composers have used nature as inspiration: storms, rivers, the power of a sunrise, the power of the Earth itself, and the grandeur of outer space.

002The students received a welcome via the big screen at Powell Hall.

004These students enjoyed some good seats.

005The orchestra was conducted by Joseph Young.

012Will James got intense with a triangle.

013A swan flows along the Moldau.

022Angie Smart brings on the storm in Vivaldi’s Summer from The Four Seasons.

027A volcano explodes to the sounds of Falla’s Ritual Fire Dance.

031Thanks to the Saint Louis Science Center, John Williams’ Star Wars theme included fantastic images of our solar system, including a flyby of Saturn.

036Lovely usher Rita Hoguet comes to the front of the stage to guide schoolchildren, teachers and chaperones to their buses.

039How was the show? Multiple thumbs up!

043Joseph Young is in the house! The conductor goes into the audience and gives high fives and says thank you to everybody.

Big kudos to Symphony Director of Education Berakiah Boone for helping to let the forces of nature be for everyone.