Coming Round Again

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Double bassist Donald Martin made his way through the off stage percussion prior to the performance of Webern’s Six Pieces for Orchestra Saturday night to tell me that his very first concert with the St. Louis Symphony was also the Symphony premiere of the work: October 20, 1962, with Eleazar de Carvalho conducting at Kiel Opera House. After telling me that Don made his way back through the percussion to the stage to play it again, this time with David Robertson conducting.

Donald Martin
Donald Martin

Another Year

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The St. Louis Symphony begins its 136th season in not too long. Double bass player Donald Martin is moving into his 54th season with the orchestra, or as he puts it: “Another year to play great music.”

Donald Martin will be opening his instrument case for season 54 very soon.
Donald Martin will be opening his instrument case for season 54 very soon.

Bass Journey

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Donald Martin has been playing bass with the St. Louis Symphony for 50-plus years. He played with the orchestra when its concerts were in the former Kiel Opera House, and made the move to Powell Hall when it became the Symphony home in the late ’60s.

The other morning, before a Lost in Space concert rehearsal, he was about to pull his instrument from its case once again (the basses are kept in their touring cases for this part of the summer since they are going back and forth between Opera Theatre and Powell). Don said, “Do you have your camera?” Of course I did.

The opening of the case
The opening of the case

Don Martin opened the double bass case and exposed all the dark padding inside.

Don and bass on stage
Don and bass on stage

Don and his bass return to the Powell Hall stage. He sets a few things down on his bass box.

Don's bass. Detail.
Don’s bass. Detail.

“This looks kinda beat up,” I said to Don. “Think you’ll be in better condition in 200 years?” he quipped.

On stool. On stage
On stool. On stage

After more than 200 years, Don’s bass is still in tune. He said that he was told that his carbon fiber bow was “indestructible.” That is until he broke it. As you can see, it’s back in shape again.

A few measures of "Zarathustra."
A few measures of “Zarathustra.”

With “space” as the theme of the concert, of course Strauss’ Also sprach Zarathustra is on the program. Don and I talked about the ubiquity of the theme. It’s heard on commercials, soundtracks, ringtones, but we agreed that Stanley Kubrick made best use of it, in 2001: A Space Odyssey.

I told Don that longtime Principal Timpani, the late Richard Holmes, once told me the famous opening timpani part was easy. “You could come out and play it,” Rick assured me. Don observed, “The timpani part may be easy, but not the bass.” He showed me those few measures above. “But for this show we only do the opening fanfare,” he said with some relief.

Don's bass box
Don’s bass box

“What’s in your bass box, Don?” “Today there’s a lot of pencils, a piece from an old candy bar, some cough drops.”